"The language can be summed up in two Nadja Moncher virtue ': the first is how to decline con grazia e sensibile intuito la sequenza cromatica, la seconda nell’essere capace di intervenire nello spazio e di dominarlo,...
...come ad esempio nella sua recente esposizione con interessanti pannelli di seta da lei dipinti a mano."
"Un piano di lettura che si allontana dal visibile, per ricostruire l’essenza e l’atmosfera: quasi un percorso/gioco, che l’artista suggerisce a chi si addentra nel suo mondo per aiutarlo a scordare il reale, its pace is too impetuous, ... 
... latent aggression, walking into an oasis where you can enjoy color, for a moment, the serenity of our origins. "
"The rock, stone, earth, the deserts are the elements through which the painter from Trieste, which over the years has evolved its own language thanks to the creative stage of painting treated in plein air by Nino expertise and meetings in the studio with Alice Psacaropulo, goes beyond the real, although starting from the truth. " 
" At the same time has also evolved the technique: acrylics, often filled with traces of crayons, the early days, Moncher has reached a sort of monochrome works connotations and underlined ...
... a more 'strong track material at the edge of abstraction (Landscapes of memory, recent works by the artist). " 
(comment di Marianna Accerboni, curatrice della mostra)
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